So excuse Big Tigger's soggy cereal bars as we rewind our VHS tapes and reminisce about the good ol' days with The 20 Best Rap City Freestyles of All Time. Veysigz offers you a variety of different instrumentals like Sad Rap Beats, Emotional Instrumentals, Hard Rap Beats, Angry Hip Hop Instrumentals, Motivational Beats, Uplifting / Positive productions, Dancehall type beats and many more. Basically, if you've heard the lyrics elsewhere, we (mostly) didn’t include it. Since 2012 we produce rap beats/hip hop instrumentals of all kinds and publish them on Youtube. The parameters are simple: writtens can’t be avoided, but verses from album cuts get no shine. (Much like he did for Relapse back in 2009.) But that wasn’t enough for us, so we excavated footage of the most timeless Rap City Freestyles of all time to keep the nostalgia flowing. Eminem took us back to the times of guest DJs and animated freestyles this past Wednesday. It oozes style, every instrument is written to perfectly suit. Cancelled in leaving only a ghost of it’s memory in the form of the Backroom freestyles on 106 and Park. It’s not only the greatest ever instrumental, but one of the greatest songs ever. Time stood still in that neon-lit recording booth. One Harlem hero even wore all pink and counted stacks of money while he spit. Some rappers would drop sly disses, others would actually come off the dome. Timing was crucial! If you didn’t get home in time, you might never see that segment again. Before the Internet popped off, rap fans now in their 20s remember rushing home from school to catch whichever artist was on that day deliver their freestyle at the end.
(Freestyle Fridays even spawned a Ruff Ryder signing in the Chinbese-American rapper, Jin.) Sure, you could see Eminem or Nelly or Busta on TRL, but they wouldn't spit an exclusive verse like they would in The Booth. Whether it was with Freestyle Fridays or Rap City, BET had a solid grip on what their audience wanted around the turn of the millennium. When he became host, Rap City became Rap City: Tha Basement, and it was the physical demarcation of the booth as the place where rappers would freestyle that sparked the segment’s popularity. Later, a colorful Big Lez would hold it down from 1994 to 1999, alternating as host with Joe Clair during those same years until Big Tigger came onboard before the millennium.
The show originally started in 1989, helmed by Chris “The Mayor” Thomas for the first two years.
#BEST RAP INSTRUMENTALS EVER TV#
He proves nothing is off limits, continuing to be one of the most punk rock rappers out there today.This past Wednesday, Eminem singlehandedly revived a ghost of culture's past that had died too young: the third greatest hip-hop TV show of all time (peace to Uncle Ralph and Yo! MTV Raps), BET's iconic video mixshow, Rap City: Tha Basement. In it, he touches on the hypocrisies of the entire entertainment and media industry, rapping “I ain't takin' no more calls, might think 'bout callin' it quits / Press is tryin' to block my blessings, no more talking to Vince / NPR and XXL, man, I can't tell which is which.” He follows that by calling out his own record label, along with the Grammys for snubbing his 2017 critically acclaimed album Big Fish Theory. “Get off of my dick or fund my lifestyle.” While he didn’t end up retiring (the GoFundMe was actually pulled down by the site), he did release a song with the same kind of sentiment. “No songs, no interviews, no anything,” he said. Beat Description: This Boom Trap Type Beat is probably one of the best Lo-Fi Trap Instrumentals youll ever heard, period. And though he sang about it often, it’s in this song that he offers brief salvation, opening with the lyrics “I know that it hurts sometimes, but it's beautiful / Working every day, now you're bleeding through your cuticles / Passing through a portal as you're sittin' in your cubicle / Isn't life beautiful? I think that life is beautiful.”Ī day before releasing “Get the Fuck Off My Dick,” Staples set up a GoFundMe campaign called #GTFOMD where he asked fans to fund his early retirement. He knows all too well the challenges of anxiety, depression, and life.
And in “Life Is Beautiful,” he speaks directly to his listeners in second person. Lil Peep connected with audiences for his open and honest discussion of his own anxieties and self-destructive addictions. What’s sad is on this posthumous album, there are glimmers of hope among the darkness. The following is a list of the best rap beats of the last five years, an era where a new vanguard of self-made producers like Lex Luger and Young Chop hold court on the radio with legacy hip-hop. When he died shortly after the release of Part One, he had just defined himself as much more than a Soundcloud oddity. 2 marks a bittersweet reminder of the artist we lost too young. One year after his tragic death at the age of 21, Lil Peep’s Come Over When You’re Sober Pt.
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